Your Majesty? 5 minutes, Your Majesty

or

Lines?! What lines?!


No matter how casually one plays in the Society or how expedient one's persona, there is a certain amount of drama inherent in it: fighters, with armor glinting in the sun; devices boldly proclaiming; banners flying; gaily garbed dancers; and court, that pinnacle of pomp and circumstance. All but the last can be created and evaluated ahead of time. You can see how well your banner came out the night before the event; you can practice your singing and know more or less what will happen; if you can dance, you know it (just remember to look like you are having fun). Court, on the other hand, is somewhat spontaneous and very interactive.

All the royal props: the crowns, the robes, the thrones, the pavilion, are constant and venerable. They symbolize the picture of court for each of us, but there is one more part that does not stay the same, that does not always do what is expected, that does not even always fit into our personal picture. I refer, of course, to the Royalty.

Yes, Royalty are necessary, but it is odd that we promote someone for fighting skillfully and honorably and someone else for personal, one-to-one inspiration into positions that are mostly administrative and theatrical. It usually works out well (whether due to luck or some subtle mechanism, I don't know.) Nevertheless, it usually takes a new king or queen a few tries before they realize how much work and preparation goes into making a court that looks good and is less boring. Like most skills, the better a court is, the easier it looks.

Some might bristle at the suggestion that court is nothing more than a mere thespian exercise. Of course it is more, but it is more because of its effects, not its composition. A Crown cannot create an occasion that will move people and be important to them without working at it; if the Crown is the star of the program, It must be able to support its weight. Working out timing, clarity, and drama beforehand is not manipulative; it doesn't make the oaths any less meaningful. It is a way to let everyone at court see, hear, and participate. It is "theater" to let all of court enjoy the drama, commendation, honor, keen wit, clever asides, generous gifts, frenzied war-mongering, and other displays made at the thrones, but it is a service to the kingdom as well.

Such a service makes sure gifts are presented in ways that can be appreciated, if not enjoyed outright, by everyone, keeps private conversations to a minimum, shares the humor that finds its way to the Royal ear, values the patience (and hydration) of the populace more than whims, friends, or gifts to the Crown, and strives to make court an exciting gathering rather than an obligation of endurance.

We can re-create the romance and chivalry of Royalty. We can be part of a special place based on courtesy and honor. We can wait respectfully and eagerly upon the words of our Crown, but they have to remember their lines.

Richard of Seahaven, AS XXIII
Copyright Richard C Haven 1989, All Rights Reserved


Webbed by Wolfgang Rotkopf <rodmur@ecst.csuchico.edu>